• BOBBY EMMONS "BLUES WITH A BEAT WITH AN ORGAN" LP on HI RECORDS

    BOBBY EMMONS "BLUES WITH A BEAT WITH AN ORGAN" LP on HI RECORDS HL 12024 © 1965

    BOBBY EMMONS "BLUES WITH A BEAT WITH AN ORGAN" LP on HI RECORDS HL 12024 © 1965

    BOBBY EMMONS "BLUES WITH A BEAT WITH AN ORGAN" LP on HI RECORDS HL 12024 © 1965

    BOBBY EMMONS "BLUES WITH A BEAT WITH AN ORGAN" LP on HI RECORDS HL 12024 © 1965

    BOBBY EMMONS "BLUES WITH A BEAT WITH AN ORGAN" LP on HI RECORDS HL 12024 © 1965

    The single taken from the album :

    BOBBY EMMONS "BLUES WITH A BEAT WITH AN ORGAN" LP on HI RECORDS HL 12024 © 1965

    Blue Organ

    A really Funky Jazz album released in 1965. The funky numbers are : "Blue Organ", "CC Rider", What'D I Say" and ''I Got A Woman''. All instrumentals, all funky !I first bought the single when I realised ''Blue Organ'' was taken from an album. I then ventured to buy the LP. Great surprise ! The other tracks are as good as "Blue Organ". Bobby Emmons, an underrated organist who should have deserved more recognition (he nonetheless wrote songs for Elvis Presley during the 1960s and the 1970s)


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    ALAIN GORAGUER "BLAGUE DANS LE COIN" EP BARCLAY 70568 © 1963

    ALAIN GORAGUER "BLAGUE DANS LE COIN" EP BARCLAY 70568 © 1963

    ALAIN GORAGUER "BLAGUE DANS LE COIN" EP BARCLAY 70568 © 1963

    "Vendredi 13"

    ALAIN GORAGUER "BLAGUE DANS LE COIN" EP BARCLAY 70568 © 1963

    Générique "Maona"

    Certainly not the most sought after Goraguer's but a great score in my opinion. Two tracks stand out from the rest of the soundtrack : ''Générique Maona" & "Vendredi 13". Particular emphasis is placed on percussions and horn section in a very Michel Magne's manner.


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    Dave Lewis : Organist

    DAVE LEWIS "LITTLE GREEN THING" - A & M LP 105 -

    DAVE LEWIS "LITTLE GREEN THING" - A & M LP 105 -

    Little Green Thing

    Little Joe

    The Swim Thing

     

    DAVE LEWIS "LITTLE GREEN THING" - A & M LP 105 -

    DAVE LEWIS "LITTLE GREEN THING" - A & M LP 105 -

     


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  • DUKE PEARSON "THE PHANTOM" - Blue Note ‎– BST 84293 © 1968

    DUKE PEARSON "THE PHANTOM" - Blue Note ‎– BST 84293 © 1968

    DUKE PEARSON "THE PHANTOM" - Blue Note ‎– BST 84293 © 1968

    DUKE PEARSON "THE PHANTOM" - Blue Note ‎– BST 84293 © 1968

    DUKE PEARSON "THE PHANTOM" - Blue Note ‎– BST 84293 © 1968

    DUKE PEARSON "THE PHANTOM" - Blue Note ‎– BST 84293 © 1968

    About Duke PEARSON :

    Columbus Calvin "Duke" Pearson Jr. (August 17, 1932 – August 4, 1980) was an American jazz pianist and composer. Allmusic describes him as having a "big part in shaping the Blue Note label's hard bop direction in the 1960s as a record producer."

    Pearson performed with different ensembles in Georgia and Florida, including with Tab Smith and Little Willie John, before he moved to New York City in January 1959. He had, however, been able to get at least one song, "Tribute to Brownie" (dedicated to Clifford Brown), recorded by the Cannonball Adderley Quintet on their 1957 album, Sophisticated Swing. In New York, Pearson gained the attention of the trumpeter Donald Byrd, who saw Pearson performing with the Art Farmer/Benny Golson Sextet (known as the Jazztet). Shortly afterwards, Byrd asked Pearson to join his newly formed band, the Donald Byrd–Pepper Adams Quintet. Pearson was also the accompanist for Nancy Wilson on tour in 1961. During that same year, Pearson became ill before a Byrd-Adams show, and a newcomer, Herbie Hancock, took over for him. Hancock eventually took over the position permanently.

    On the 1963 Byrd album A New Perspective, Pearson arranged four tracks, including "Cristo Redentor", which became a hit. The composition, Pearson later commented, was inspired by a trip he took to Brazil while touring with Wilson. Also that year, after the death of Ike Quebec, Pearson took over his position as A&R man of Blue Note.[4] From that year until 1970, Pearson was a frequent session musician and producer for numerous Blue Note albums while also recording his own albums as bandleader. This was odd, since Pearson also recorded with his co-led big band with Byrd for Atlantic Records, a stipulation he made sure was in his Atlantic contract. The Byrd-Pearson band consisted of musicians such as Chick Corea, Pepper Adams, Randy Brecker, and Garnett Brown; the latter three were members also of the Thad Jones-Mel Lewis band that played the same night club, The Village Vanguard, but on different nights. Between the two ensembles, the musicians performed at their own discretion.

     

    Pearson's compositions include the now standard, frequently covered "Jeannine", composed c. 1960. An early cover of "Jeannine" appears on the Cannonball Adderley album Them Dirty Blues, recorded in February 1960; the song was also covered by Donald Byrd on the album At the Half Note Cafe, recorded in November 1960. A vocalese version with lyrics by Oscar Brown, Jr. was recorded by Eddie Jefferson on the album The Main Main, recorded in October 1974, and was covered on The Manhattan Transfer's 1984 album Bop Doo-Wopp.

    Pearson eventually retired from his position with Blue Note in 1971 after personnel changes were made; co-founder Alfred Lion retired in 1967 after the label was sold to Liberty Records the previous year, and co-founder Francis Wolff died in 1971. Pearson opted to teach at Clark College in 1971, toured with Carmen McRae and Joe Williams through 1973, and eventually re-formed his big band during that time.

    He was diagnosed with multiple sclerosis in the 1970s, from which he died in 1980 at Atlanta Veterans Hospital.

     


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  • "Jack Daniel's Green"

    DAVE LEWIS - PANORAMA RECORDS 1003 -

    This single is taken from the album entitled ''High Heel Sneakers'' LP 107.

    The Dave Lewis Trio

    DAVE LEWIS - PANORAMA RECORDS 1003 - © 1968

    David Eugene Lewis (1938 – March 13, 1998) was an African-American rock and rhythm & blues (R&B) keyboardist, organist, and vocalist based in Seattle, Washington, US. Peter Blecha accounts his Dave Lewis Combo as "Seattle's first significant African American 1950s rock and roll band"[2] and Lewis himself as "the singularly most significant figure on the Pacific Northwest's nascent Rhythm & Blues scene in the 1950s and 1960s.

    The 1960s period :

    In 1962, taking advantage of the opportunity offered by the Century 21 Exposition (the Seattle world's fair), Lewis put together a new band.[3] J. B. Allen remained from the old group; the new band members were guitarist Jim Manolides and drummer Don "Candido" Mallory. The new group took over from Manolides' old group the Frantics as the house band at Dave's Fifth Avenue near the fairgrounds.[3]

    Shortly after the end of the fair, Lewis switched from piano to Hammond B-3 organ, and formed a new trio with guitarist Joe Johansen and drummer Dickey Enfield (who would be replaced in 1966 by Dean Hodges). His new trio scored minor hits with "David's Mood (Part 2)" (1963) and "Little Green Thing" (1964), both of which were heavily covered by other Pacific Northwest bands. By the mid-1960s, though, Lewis pretty much gave up touring, settling instead into a long series of local club gigs that lasted into the early 1970s.

     

     


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